Arturia CZ V v18.104.22.1680 | MacOS | AU | VST | VST3 | AAX | Standalone
The CZ V models the Casio CZ-101 and CZ-1000, two cult synthesizers behind many ‘80s pop hits. It adds a ton of new features that make it an instrument for the ages. Casio’s mid-‘80s digital synths were light on price and big on sound. One listen and you’ll be really big on the new, improved CZ V.
Like you, we love synths of every flavor. That’s why we just had to recreate the true essence of Casio’s patented phase distortion synthesis that made their CZ series so popular. You don’t need to understand how phase distortion works—just let your ears tell you how cool and unique it would sound in your music.
As you’ve come to expect from all of Arturia’s V Collection, our enhancements transform CZ into an even more formidable sonic force that can transform your music.
A simpler kind of powerful digital synthesis
Released in 1984, the CZ-101 was Casio’s answer to the wildly popular Yamaha DX7. It was significantly less expensive and infinitely easier to program than its rival. Instead of frequency modulation, Casio’s phase distortion (PD) used various user-selected waveforms to modulate the timing of simple carrier waves at the cycle level in order to create more complex wave shapes. This simplified form of digital synthesis made it comparatively easy to perfect a wide variety of timbres spanning warm pads, natural percussion, buzzy digitalia, sci-fi effects and even analog synths. While PD could sound similar to FM, it also had a unique sonic signature all its own.
The CZ sound helped propel artists like Salt-N-Pepa, Was (Not Was), and Vince Clarke into the spotlight. Let’s add your name to the list.
Two synthesis lines and independent noise source
All CZ-101/CZ-1000 original parameters
8 original waveform and custom waveform editor
Original CZ SysEx import
CZ, DADSR and Multi-Segments envelopes (syncable and loopable) to control pitch, DCW and amplitude
2 Modulation envelopes
4 assignable macros
Advanced modulation matrix
A Sample and Hold module, 2 LFOs with 6 waveforms, 3 sources combinators and an Arpeggiator
4 FXs slots that can be routed in serie or per synthesis line
A synthesis line state viewer for real-time feedback
Emulation of the original CZ DAC
32 voices of polyphony
Up to 8 voices of unison with unison detune
Over 400 factory presets
CZ V Release Notes
* Fixed issue with MSEG envelopes causing silent presets